Pages

Showing posts with label Album. Show all posts
Showing posts with label Album. Show all posts

Wednesday, 25 February 2015

The Curious Phenomenon of the EP



With physical audio formats seemingly disappearing and then reappearing again these days, it can be confusing to work out what exactly is the product an artist is really trying to sell.

It's pretty easy to work out what an album is, or a single, but an EP (extended play) is a format that is ambiguous at best. especially when you introduce the Mini-LP into the mix.

In the earliest part of the 20th century, up until 1948, the single was the dominant format. Two sided 10-inch diameter shellac records, playing at 78 rpm, with one song on each side. At that speed, it confined the playing time to little over 4 minutes per side. Longer pieces, such as classical music needed to be split across multiple records, and as such they would be bundled into large books that resembled a photo album, and they would be called an "album". In the early 1950s these were superceded by a 7-inch 45rpm single.



In 1948 the Long Playing record emerged. 12 inches in diametre, playing at 33rpm and allowing for an average of 20 minutes per side. In America the RIAA stipulated that the maximum amount of material on an LP was 35 minutes (it was revised and expanded later on). It took a while but it soon became the dominant recorded music format.

However, as the LP was considered an artisan product, a luxury item with the price tag to match, record labels came up with cheaper alternatives to shore up their revenue base. They introduced the 10-inch LP, a mini-LP usually carrying 8 songs (4 a side) and a maximum playing time of around 13-15 minutes a side. By the 1960s these were all but obsolete, but during the 1950s these were hugely popular, with Frank Sinatra being one of the most popular selling artists with albums like "Songs for Young Lovers".

With the rock and roll boom, it was originally thought that teenagers only bought singles and not albums, but despite Elvis and the Beatles selling large amounts of albums, they were still expensive, so in Britain they came up with a mid-range product that would be a little more collectable and valuable than the single, but not as expensive as the LP. The Extended Play, or EP for short, was a four song 7-inch record that featured similar style packaging to the LP but at a fraction of the cost. They were given unique titles, similar to albums.



The EP was the same size and speed as the single and compressed the grooves on each side to allow for up to 7.5 minutes a side playing time These were massive selling items in the 1960s but fell out of favour with major labels in the 1970s. Independent labels and punk bands took to the EP in the 1970s and beyond, but the majors confused the issue by starting to release 12-inch equivalents of an EP in the late 1970s and 1980s. These usually contained 5 tracks and ran at around 20 minutes.

Major labels also introduced a new format in the 1980s, the 12-inch "Mini-LP" which was longer than an EP but shorter than an LP, but that also confused the classification of certain albums. For example, Alice In Chains compiled two EPs together in one package on two discs as "Jar of Flies/Sap". "Sap" had 5 tracks (4 listed on the sleeve and label) and ran at less that 20 minutes, while "Jar of Flies" has 7 tracks at lasts for almost 30 minutes. Is one an EP and the other a mini-LP? "Jar of Flies" topped the Billboard Album Chart. Is it regarded as a short LP?

Elvis Presley's first LP had 12 tracks and lasted 25 minutes while Pink Floyd's "Animals" has 5 tracks and has a 40+ minute duration. Is one a mini-LP?

Not exactly. The British Recording Industry classifies the EP as "any record with more than four distinct tracks or with a playing time of more than 25 minutes is classified as an album for sales-chart purposes. If priced as a single, they will not qualify for the main album chart..." as described by the Official Chart Company.

The Recording Industry Association of America (RIAA) defines an EP as "3-5 songs OR under 30 minutes, whereas a single is allowed to contain up to 4 songs."

In this modern age of downloads, the EP still exists in the form of a short release of just 4-5 songs lasting less than 20 minutes, and it still a common release format for young artists who don't yet want to create a longer form piece, and to attract all the scrutiny and analysis that goes with it.

This probably doesn't simplify the matter, however it is not a simple matter to begin with. In my own mind, if the release has 4-6 distinct tracks, lasts around 20-25 minutes and as a unit it has a title unto itself, it is an EP. A single has a lead track that gives the unit its name plus a number of b-sides or bonus songs (sometimes up to 4 or 5, not counting remixes). A mini-LP has 6-7 tracks and lasts up to 30 minutes. An Album has a duration of over 30 minutes and, unless they are long songs, 8 songs or more.



Using this criteria, I don't consider "For The Working Class Man" by Jimmy Barnes as an album, but rather a double 12-inch EP. It is billed on the sleeve as a having 5 new tracks and a "bonus disc" of seven remixes. Both discs total 45 minutes and is a single CD. It charted at #1 on the Australian album chart in spite of this.

Do you have a favourite EP? Tell us below in the comments.

Wednesday, 3 September 2014

The Hoax is Over...



In 1967, Billy Thorpe had an epiphany. He'd worked out his audience was starting to change. No longer were teenage girls screaming themselves hoarse at his gigs. A new breed of music fan was starting to appear at his inner-Sydney residencies. A tougher, hard-drinking, self-medicating type of bloke, brutalized by experiences in an (ultimately) unwinable war in Asia. These guys didn't want to hear Thorpie chirp his way through "Over The Rainbow". These guys were fans of a new, harder sort of music, by performers with strange names like Jimi Hendrix and Cream, with loud guitars, even louder clothes, and wild haircuts.

After declaring bankruptcy in 1968, he decided to try and start again in England, thanks to a lifeline from ex-pat Aussie and former Epstein-protege Robert Stigwood, who was managing Cream and The Bee Gees at the time. He had six weeks of shows booked in Melbourne to complete before he left, but ended up staying for 6 years.

Forming a new band of Aztecs with Paul Wheeler, Warren Morgan, and Lobby Loyde, the band became an extremely loud jamming blues band. He grew his hair long, wore dirty jeans and T-shirts and turned up the amps to deafening levels. Initially, audiences and promoters alike reacted violently, but soon after, the cult of the "Sharpie" was born and the band were embraced by them.

After an initial single issued by Festival in 1969, the band reconvened in September 1970 to cut an album. Rumour has it that the band got completely out of their collective gourds on psychedelics and told the engineer just to keep tapes rolling until they were done. "The Hoax is Over" is the result.

Issued late in 1970, the album sold respectably but didn't set the charts alight.

The original album had four songs over a running time of just over 51 minutes. 3 originals, one cover. The opening track is a cover of the Johnny "Guitar" Watson track "Gangster of Love". In its original form, its duration was around 2 minutes 45 seconds (2:45). When Steve Miller covered it on his LP "Sailor", 1 minute 23. In the hands of the Aztecs on acid, it rolls on for an epic 24 minutes and 30 seconds. Drum solos and manic Lobby Loyde soloing are part and parcel of this, and they completely go to town on this. It's all kinds of awesome. The two short tracks are "Goodbye Baby" and "Truth", clocking out at just over 4 minutes each and break up the tedium. Especially after "Born In Mississippi", a slow blues jam which drags on for a lethargic 19+ minutes.

The album has been out of print since the 1970s and vinyl copies these days are rarer than rocking horse do-do. Most copies that still exist are thrashed to the point of unplayable. If they are in good nick, they sell for well over $100. There was talk of a reissue by Aztec Music but nothing has eventuated as of yet. Here's hoping...

For the time being, take a listen to the album below via YouTube. Enjoy!

Thursday, 15 May 2014

Greatest Live Albums, as selected by The Sound and the Fury

Just this morning I read yet another article going on about the greatest or most essential live albums.

This list again got me thinking about my favourite live albums. As is usually my taste, most of what critics say are the greatest albums of all time are not ones that I particularly rate. The Allman Brothers' "Live at the Fillmore East" is always touted as a classic, but I find it overlong and bloated. Ditto "Kiss Alive!". I love Kiss, but the poor recording quality and thin production always puts me off.

Putting on my thinking cap, I've come up with six live albums that, in my view, should be regarded as must have albums but generally don't rate a mention.


Pacifier Live

The only double live album from New Zealand-via-Melbourne hard rock band Shihad (aka Pacifier, post 9/11). This is an album that runs through key album tracks and radio hits with fierce-some power panache, and the pace rarely drops across the entire two LPs. The live version of "My Mind's Sedate" is worth the price of the album alone. Also issued on double vinyl in a limited run of 500 with an amazing looking gatefold sleeve.




Bruce Springsteen - Live 1975/85

Bruce is renowned for his epic live shows, sometimes lasting up to four hours in duration. About the only way to emulate that on a record is to release a multi-disc boxed set. While pretty much every record on this list is at least two discs long (on vinyl at least), "Live 1975-85" is a whopping five LPs long (three CDs and three cassettes back in the day) and over three and a half hours long. It includes songs that he never released on a record himself, as well as a few covers of other people's songs, band versions of tracks from his solo album "Nebraska" and a stunning piano-led version of "Thunder Road" that is one of the greatest things he ever committed to vinyl. Absolutely Essential.




Wings - Wings Over America

In 1976 Paul McCartney and his first post-Beatles band Wings traipsed across the States on an epic tour that broke records for ticket sales. It was years before he toured so widely again. This album is a beautifully recorded triple vinyl souvenir of that tour with any highlights including the opening medley, a gorgeous version of Paul Simon's "Richard Cory", and great song previously unreleased called "Soily".




The Tea Party - Live in Australia

The Tea Party are an amazing live band, and one that care deeply for their fans, by travelling off the beaten track to play small shows in regional clubs and pubs as well as larger venues in capital cities. A Canadian band, they combine middle eastern influences with a few sub-continental influences, with a hard rock punch. A live CD is never going to replicate the experience perfectly, but this is as close as we'll ever get. The music is superb and well worth a listen. This crowd-funded album was also pressed in a limited edition on double vinyl.




Paco de Lucia, John McLaughlin and Al DiMiola - Friday Night In San Francisco

Jazz fans are spoilt for choice when it comes to great live albums, so choosing one was a hard choice. This one is a guitar players' dream come true. Flamenco master Paco De Lucia meets fusion greats John McLaughlin and Al DiMiola for a fun album full of tight playing and camaraderie. At only five tracks long and just over 40 minutes, it was not originally issued as a double vinyl in 1981. It has recently been reissued on a double audiophile-grade vinyl LP cut at 45 RPM.




Ramones - It's Alive!

Take it Dee Dee...
1! 2! 3! 4!
...so goes pretty much every song on this record - all 28 of 'em. They all rip through in under an hour (54 minutes to be precise. Do the math - it's less than 2 minutes per song on average). It's a full-throttle rip through the highlights of the first four Ramones albums. When taken in one sitting it is utterly exhausting listening, but it's definitely worthwhile.



So what are your favourites? Let us know in the comments below. Cheers.