April 2013 Playlist

"Don't ask me why, but time has passed me by...
Someone else moved in from far away..."

Apologies to all the Bee Gees fans out there, but I can't stand their song "First of May" (from which the quote above comes). Nevertheless, the day that provides the namesake title is here and that means it's time to share the monthly playlist with you all.

What you get this month is another 225 tracks of eclectic goodness. Featuring:

• Highlights from new releases by Eric Clapton, Karl Hyde, The Nature Strip, Sons of Rico, The Vaccines, Suede, Vydamo, The Band Perry, Mudhoney and more...
• Classics from La Femme, Bernard Cribbins, Underworld, Neil Young, Joe Jackson, NotSensibles, Family, Stiff Little Fingers, Black Sabbath and more...
• Hidden jewels in the rough by Autograph, Chevy, The Milkshakes, Blow Up Hollywood, Todd Rundgren, Ted Leo and the Pharmacists, Jimmy Eat World and more...
• Australian classics with Leonardo's Bride, Men At Work, British India, Bodyjar, Redgum, Bob Evans, Dig, GANGgajang, The Drones, The Sports and more...
• Esoterica with Gene Krupa, Miles Davis, John Coltrane, Jack Dejohnette, Arnold Scoenberg, Derek Bailey and more.

So sit back, set the playlist to Shuffle, kick back and

ENJOY!!!

Remake/Remodel #2: Counting Crows do Joni MItchell

Some covers are done as affectionate tributes. Some are a genuine effort to elevate a merely competent original into something extraordinary.  Some are done with the purest of intentions, but fall short of the mark.

In 2003, Counting Crows released their version of a once-pleasant, environmentally conscious Joni Mitchell song called "Big Yellow Taxi".

Despite its serious message, "Big Yellow Taxi" is one of Joni's brightest songs, with a stunning clear guitar tone and with a sunny feel to it. You can't help but smile when listening to it.

The Counting Crows version, from the outset, is all kinds of wrong.  Adam Duritz, with his Van-Morrison-on-Venice-Beach styled laconic drawl is plain awful, delivering a lifeless vocal performance that doesn't suit the song. Vanessa Carlton's guest appearance on the backing vocals are also all wrong - the chord she harmonises with her overdubbed vocal layers is far darker than the original and sticks another nail in the coffin of an already bad remake.

Add to that the producers pushing the auto-pilot button on every studio gadget available to them, and you have one stinker of a record. Apparently this was only the secret track on the band's "Hard Candy" LP. Hiding it at the end of an album is too good for a recording that should have been drowned at birth.

My verdict: Yuk. Search out the original.